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  • Paperback
  • 553
  • We That Are Young
  • Preti Taneja
  • English
  • 05 January 2017
  • 9781910296783

10 thoughts on “We That Are Young

  1. says:

    Now deservedly shortlisted for the Desmond Elliot Prize alongside the outstanding shortlist for the 2017 Republic of Consciousness Prize for 'gorgeous prose and hardcore literary fiction' from small independent presses Edgar The weight of thi

  2. says:

    NOW DESERVEDLY THE WINNER OF THE DESMOND ELLIOTT PRIZE TO FOLLOW ITS SHORTLISING FOR THE REPUBLIC OF CONSCIOUSNESS PRIZE for which I was a judge Galley Beggar Press is a small publisher responsible which aims to produce and support beautiful books and a vibrant eclectic risk taking range of literature and which declares

  3. says:

    Update 21618 Now the well deserved winner of the Desmond Elliott Prize 2018 Congratulations to Preti Taneja and all at Galley Beggar This vibrant epic ambitious transplantation of King Lear to modern India is by far the longest book on the Republic of Consciousness Prize shortlist and looks a potential winner Taneja keeps the essential elements of the familiar Shakespeare version of the story in place but allows herself plenty of scope to

  4. says:

    We That Are Young has a feel to it that's not dissimilar to Salman Rushdie's recent 2017 novel The Golden House That's praise Both novels ultim

  5. says:

    This should have been right smack dab in my wheelhouse given my penchant for both Indian lit and Shakespeare it's a modern retelling of Lear but I must say despite some gorgeous prose I found it for the most part rather tedious and almost gave up halfway through In need of much judicious editing the inciting incident of the patria

  6. says:

    NOW RE READ AFTER ITS INCLUSION ON THE REPUBLIC OF CONSCIOUSNESS PRIZE LONG LISTWe That Are Young is published by Galley B

  7. says:

    A modern day re telling of King Lear 'We Are That Young' is a brilliant exploration of greed corruption and vice in modern

  8. says:

    I've picked up this book as it received a lot of positive reviews here and has won Desmond Elliot prize for the first novel I have to admit I was somewhat underwhelmed The author models her book on King Lear and sets it in the modern day India In general 2018 was the year of classic retelling by the modern authors in En

  9. says:

    We that are young by Preti Taneja is a fabulous reworking of King Lear Having enjoyed a number of adaptations of this Shakespearean tragedy on stage I was familiar with the direction the arc of the story was likely to take This did not in any way detract from my enjoyment The book is big in size scope and depth

  10. says:

    A great book can be great at different levels but a bad one doesn’t have that luxury Mislaid by all the hype and praise from western critics made me pick up this book Probably this is the worst book I read in a long time Pathetic plotting miserable attempt at adapting King Lear in Indian context lack of real knowledge on the subcontinent is so evident I got migraine by constant feel of something getting dril

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Preti Taneja ì 9 Read & Download

We That Are Young

Astard scion of the Devraj family returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded the Devraj Company On the same day Sita Devraj’s youngest daughter absconds – refusing to submit to the marriage her father wants for her Meanwhile Radha and Gargi Sita’s older sisters must deal with the fallout And so begins a brutal deathly struggle for power ranging over the luxury hotels and spas of New Delhi and Amritsar the Palaces and sl This should have been right smack dab in my wheelhouse given my penchant for both Indian lit and Shakespeare it s a modern retelling of Lear but I must say despite some gorgeous prose I found it for the most part rather tedious and almost gave up halfway through In need of much judicious editing the inciting incident of the patriarch s division of his spoils doesn t even occur into well over 100 pages into this LONG 553 pages I was also than a little annoyed by the miniscule print of the Galley Beggar Press edition AND by the constant need to run to Google Translate due to the many reversions to Hindi words and phrases it may instill verisimilitude but a glossary or footnotes would have been a welcome antidote to the author s contempt for her non Indian readers As to the novel itself sections of it are uite delightful and whereas Edward St Aubyn s recent Hogarth version of the story Dunbar which I read just prior to this so maybe I was Leared out by the time I got to this one strays perhaps TOO far from the Shakespearian original here Taneja clings a mite too steadfastly to certain elements that make little sense in a modern milieu for example the blinding of the Gloucester character albeit one of the viscerally rendered scenes Most of the contemporary euivalents DO work however especially the scenes of Jeet the Edmund character amongst the dabhi slum dwellers although these also somewhat pale in comparison to similar ones in Katherine Boo s outstanding Behind the Beautiful Forevers And while the circularity of the structure telling scenes over and over and over from the various viewpoints of the five main characters provides some interesting counterpoints it also slows the action to an almost standstill However ultimately I am not sorry I read this but doubt I would ever pick it up again for a re read even though NOW my copy has copious notes as to the translations Fun Fact Easter Egg On page 467 Taneja writes Sita thinks he should be in rural England being nursed by aristocratic girls with names like Abby for shelter Florence like the bulbul or Megan her skin pale as flushed pearls Better he go to Switzerland or Dubai and rest at some hushed private clinic This is undoubtedly a terrific insider tribute to St Aubyn s simultaneously published Dunbar as those are the names he uses for Goneril Cordelia and Regan and his book opens with the Lear character escaping from just such a Swiss clinic Cheeky

Free download ↠ E-book, or Kindle E-pub ì Preti Taneja

The story of a billionaire family dynasty led by a gold plated madman stewed in corruption mired in violence riven by infighting deception and lies The resonances will be there for anyone who We That PDF knows King Lear not to mention anyone struggling to come to terms with the new world order from the rise of the religious right wing in India to the Trump dynasty in the United States This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in and which will resonate for years to come Jivan Singh the b NOW DESERVEDLY THE WINNER OF THE DESMOND ELLIOTT PRIZE TO FOLLOW ITS SHORTLISING FOR THE REPUBLIC OF CONSCIOUSNESS PRIZE for which I was a judge Galley Beggar Press is a small publisher responsible which aims to produce and support beautiful books and a vibrant eclectic risk taking range of literature and which declares an aim to publish books that are hardcore literary fiction and gorgeous prose a description which has been taken as the criteria for the Republic Of Consciousness prizeIts most striking success to date has been in being prepared to publish Eimear McBride s A Girl Is a Half formed Thing which had taken 9 years to find a publisher and of course went on to win the Bailey s Prize We That Are Young is a debut novel by Preti Taneja a human rights advocate and literary academic Between 2014 16 she held a Post Doc position at ueen Mary University of London and Warwick University working on Shakespeare performances in relation to human rights abuses and in humanitarian situationsThis novel flows directly from her joint interests and is explicitly a re telling of King Lear set in India in the early 2010 s against a background of the 2011 12 anti corruption protests which form very much of the foreground in Arundhati Roy s The Ministry of Utmost HappinessGalley Beggar Press s co founder has commented much like our author Eimear McBride when Preti s novel was first submitted to us it came with a history of ecstatic rejections from editors who almost universally felt that her writing was extraordinary but too tricksy to be a commercial successThe book s title is taken from the closing speech in King Lear attributed to Albany or to Edgar in the two key versions of the play The weight of this sad time we must obey Speak what we feel not what we ought to sayThe oldest hath borne most We that are youngShall never see so much nor live so long In the author s words While writing We That Are Young I worked in New Delhi and Kashmir and spoke to many people from different castes class backgrounds and religions about the feverish times they felt they were living in The title of my book comes from the end of Shakespeare s play and evokes the power of the fact that India is the world s youngest and fastest growing democracyThe key protagonists in the book and their King Lear counterparts are Devraj Bapuji King Lear billionaire owner of the eponymous Devraj Conglomerate and his daughters the eldest Gargu Goneril married to the stolid Surenda Albany the flighty and fashionable Radha Regan married to the ambituous Bubu Cornwall the youngest Sita Cordelia an environmentally aware Cambridge studentDevraj s right hand man Ranjit Singh Gloucester his gay heir Jeet Edgar and his illegitimate son Jivan Edmund The book opens with Jivan returning from imposed exile in America after the death of his mother Devraj s singer mistress and reacuainting himself with his childhood friends Gargu and Radha at the same time as a returning party arranged for Sita at her graduation At a lunch on the Day of Jivan s return Devraj announces he is splitting the company between his daughters only for Sita s refusal to pay homege to him leading to him renouncing her inheritance Jivan meanwhile sows seeds of mistrust between his father and brother all of this of course a character by character re enactment of the basic plot of King Lear and which is also followed by King Lear echoing discord between Devraj and his Head of Security Kritik Kent and then a wedge between Devraj and his daughters due to the behaviour of Devraj s hundreds Lear s retinue of a hundred servants a hand selected cadre of high fliersThe book is written in five lengthy third party point of view sections concentrating in turn on the viewpoints of Jivan Gargi Radha Jeet and Sita The length of these sections and the use of a continuous present tense as well as the liberal interspersing of only partially translated Hindi in the book can at times make this an exhausting as well as an exhilarating read I was at times reminded of the assault on the senses that many Westerners use to describe their first visit to India One of the interesting choices in the novel is to open with sympathetic accounts of the actions and motivations of those Jivan Gargi and Radha whose King Lear euivalents Edmund Goneril and Regan are effectively unambiguously villians The effect of this as others have pointed out in their reviews is to give a novel which while clearly borrowing heavily from King Lear also gives back some added perspective to that play particularly around the motivations of the full group of protagonistsThe sections are intercut with some first party ramblings from Devraj who early on speculates Now the most winning stories always have the same cast of characters in one form or another There is a set of twins or double beings a trainee architect a father an uncle a brother a desirable sister with no self control and of course incestuous love There is always a narrator an old man in a pickle factory sitting on his chutpoy reading Dickens in the English language framed by a picture of the Taj Mahal The settings are new worlds the language tricksy Pah Making up words and full of doubt What is the value of such stories Expensive papers and lies My story is a simple one come closer if you can The language you understand it in is not the one I am speaking It contains elements of truth the genius of ancients and some modern influences It is priceless and therefore free for all The references to most winning stories seems to directly reference the writing of Salman Rushdie and Arundhati Roy both of whom feature pickle factories in their most famous novels while also implicitly acknowledging the way in which much of modern Indian literary writing draws heavily both on the style of Dickens and implicitly on the implausible plots of Shakespeare and the same could be said to be true for Indian TV Jivan used to watch these hokey Indian serials on Star Plus TV sitting with Ma in the afternoons when he got in from school She loved them all the family dramas with cardboard villains and handsome heroes non stop cases of mistaken identity masters for servants good girls for bad Brothers disguised as each other lovingly beating sisters wives and mothers in law fighting over sons In the end the good would get rich and the bad were punished The lovers would be united with parental blessing kneeling for hands to be raised over their heads in benediction the parents would kneel and beg their children to bless them right back It was always happily ever after the end There are two very distinct literary choices that the author makes in this book both of which struck me as slightly false on a first read but as thoroughly justified on a second The first is referenced above the freuent use of many half translated or untranslated not just Hindi words but full sentences Initially this is to convey the explicit disorientation that the Americanised Devraj first experiences on his return to His homeland as he struggles to recall his childhood Hindi but it is continued throughout the book I understand from interviews with the author that her aim was to convey something of the reality of the world for her and many of her friends living in Hindi speaking households in English speaking countries and therefore simultaneously inhabiting both linguistic worlds Even further than this though is an acknowledgment of the way in which both languages have inspired and fed the other over time As Devraj notes when addressing the reader My story is a simple one the language you understand it is not the one I am speaking It contains elements of truth the genius of ancients and some modern influences It is priceless and therefore free for all The second was the choice to follow not just the main plot but often the dialogue of King Lear and specifically to choose to convey some of the dramatic parts of the original plot the putting in the stocks of Lear s messenger the apocalyptic storm and those that are just odd the gouging of Gloucester s eyes the Dover cliffs bluffed suicide scene literally and not in a imaginative and figurative sense However again I now appreciate that this choice is in many ways fundamental to the author s very conception of this novel her realisation that concepts and events which render King Lear strange to a modern Western reader the extreme patriarchy the use of Lear s fortune as what is effectively dowry the fundamental conflict of ambition family and state unchecked state violence and civil conflict extremes of classcaste the abuse of domestic servants can be understood in a modern context when transplanted across the world Just as King Lear examines the violence that flowed from Lear s partriarchy and his forced and ill thought through division of his Kingdom between his two daughters so We That Are Young could be said to examine the effects of British colonialism and the long lasting impacts of the violence and division that flowed from PartitionOverall a vibrant and wonderful novelMy thanks to Galley Beggar Press for the ARC Beyond the Body Farm plated madman stewed in corruption mired in violence riven by infighting deception and lies The resonances will be there for anyone who We That PDF knows King Lear not to mention anyone struggling to come to terms with the new world order from the rise of the religious right wing in India to the Trump dynasty in the United States This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in and which will resonate for years to come Jivan Singh the b NOW DESERVEDLY THE WINNER OF THE DESMOND ELLIOTT PRIZE TO FOLLOW ITS SHORTLISING FOR THE REPUBLIC OF CONSCIOUSNESS PRIZE for which I was a judge Galley Beggar Press is a small Outies (Moties publisher responsible which aims to Chainmail produce and support beautiful books and a vibrant eclectic risk taking range of literature and which declares an aim to RESTful API Design publish books that are hardcore literary fiction and gorgeous The king of fighters Zillion. 9 prose a description which has been taken as the criteria for the Republic Of Consciousness This World We Live In (Last Survivors, prizeIts most striking success to date has been in being Dread Night prepared to Baryshnikov in Russia publish Eimear McBride s A Girl Is a Half formed Thing which had taken 9 years to find a Como Ser Encantadora (Para Alumna) publisher and of course went on to win the Bailey s Prize We That Are Young is a debut novel by Preti Taneja a human rights advocate and literary academic Between 2014 16 she held a Post Doc Sostiene Pereira position at ueen Mary University of London and Warwick University working on Shakespeare Middle England performances in relation to human rights abuses and in humanitarian situationsThis novel flows directly from her joint interests and is explicitly a re telling of King Lear set in India in the early 2010 s against a background of the 2011 12 anti corruption Sostiene Pereira protests which form very much of the foreground in Arundhati Roy s The Ministry of Utmost HappinessGalley Beggar Press s co founder has commented much like our author Eimear McBride when Preti s novel was first submitted to us it came with a history of ecstatic rejections from editors who almost universally felt that her writing was extraordinary but too tricksy to be a commercial successThe book s title is taken from the closing speech in King Lear attributed to Albany or to Edgar in the two key versions of the Pereira Maintains play The weight of this sad time we must obey Speak what we feel not what we ought to sayThe oldest hath borne most We that are youngShall never see so much nor live so long In the author s words While writing We That Are Young I worked in New Delhi and Kashmir and spoke to many SQL people from different castes class backgrounds and religions about the feverish times they felt they were living in The title of my book comes from the end of Shakespeare s Refactoring play and evokes the SaGa Frontier 2 Official Strategy Guide power of the fact that India is the world s youngest and fastest growing democracyThe key Amrita protagonists in the book and their King Lear counterparts are Devraj Bapuji King Lear billionaire owner of the eponymous Devraj Conglomerate and his daughters the eldest Gargu Goneril married to the stolid Surenda Albany the flighty and fashionable Radha Regan married to the ambituous Bubu Cornwall the youngest Sita Cordelia an environmentally aware Cambridge studentDevraj s right hand man Ranjit Singh Gloucester his gay heir Jeet Edgar and his illegitimate son Jivan Edmund The book opens with Jivan returning from imposed exile in America after the death of his mother Devraj s singer mistress and reacuainting himself with his childhood friends Gargu and Radha at the same time as a returning Shibari, L'atelier de cordes party arranged for Sita at her graduation At a lunch on the Day of Jivan s return Devraj announces he is splitting the company between his daughters only for Sita s refusal to Human Reproductive Biology pay homege to him leading to him renouncing her inheritance Jivan meanwhile sows seeds of mistrust between his father and brother all of this of course a character by character re enactment of the basic Moden pan vaknar nahi plot of King Lear and which is also followed by King Lear echoing discord between Devraj and his Head of Security Kritik Kent and then a wedge between Devraj and his daughters due to the behaviour of Devraj s hundreds Lear s retinue of a hundred servants a hand selected cadre of high fliersThe book is written in five lengthy third Tree & Shrub Gardening for British Columbia party A Professional Engagement point of view sections concentrating in turn on the viewpoints of Jivan Gargi Radha Jeet and Sita The length of these sections and the use of a continuous Handbuch zur deutschen Grammatik present tense as well as the liberal interspersing of only Fish Diseases and Disorders: Non-Infectious Disorders pointed out in their reviews is to give a novel which while clearly borrowing heavily from King Lear also gives back some added Investigating Non Fiction And Media perspective to that Making Her Man play His Pawn (Manhattan Tales protagonistsThe sections are intercut with some first Master and Sissy party ramblings from Devraj who early on speculates Now the most winning stories always have the same cast of characters in one form or another There is a set of twins or double beings a trainee architect a father an uncle a brother a desirable sister with no self control and of course incestuous love There is always a narrator an old man in a Learn & Play with First Nations & Native Art pickle factory sitting on his chutpoy reading Dickens in the English language framed by a Pippa of Lauramore (Eldentimber, picture of the Taj Mahal The settings are new worlds the language tricksy Pah Making up words and full of doubt What is the value of such stories Expensive Drive (The Expanse, papers and lies My story is a simple one come closer if you can The language you understand it in is not the one I am speaking It contains elements of truth the genius of ancients and some modern influences It is Eddie Rickenbacker priceless and therefore free for all The references to most winning stories seems to directly reference the writing of Salman Rushdie and Arundhati Roy both of whom feature In The Palm of Your Hand pickle factories in their most famous novels while also implicitly acknowledging the way in which much of modern Indian literary writing draws heavily both on the style of Dickens and implicitly on the implausible Riding Hard (Bennett Boys Ranch, plots of Shakespeare and the same could be said to be true for Indian TV Jivan used to watch these hokey Indian serials on Star Plus TV sitting with Ma in the afternoons when he got in from school She loved them all the family dramas with cardboard villains and handsome heroes non stop cases of mistaken identity masters for servants good girls for bad Brothers disguised as each other lovingly beating sisters wives and mothers in law fighting over sons In the end the good would get rich and the bad were The Bandini Quartet punished The lovers would be united with How Wealth Rules the World parental blessing kneeling for hands to be raised over their heads in benediction the The Origins of Wish You Well parents would kneel and beg their children to bless them right back It was always happily ever after the end There are two very distinct literary choices that the author makes in this book both of which struck me as slightly false on a first read but as thoroughly justified on a second The first is referenced above the freuent use of many half translated or untranslated not just Hindi words but full sentences Initially this is to convey the explicit disorientation that the Americanised Devraj first experiences on his return to His homeland as he struggles to recall his childhood Hindi but it is continued throughout the book I understand from interviews with the author that her aim was to convey something of the reality of the world for her and many of her friends living in Hindi speaking households in English speaking countries and therefore simultaneously inhabiting both linguistic worlds Even further than this though is an acknowledgment of the way in which both languages have inspired and fed the other over time As Devraj notes when addressing the reader My story is a simple one the language you understand it is not the one I am speaking It contains elements of truth the genius of ancients and some modern influences It is Joy Cometh In The Morning priceless and therefore free for all The second was the choice to follow not just the main Short Fiction plot but often the dialogue of King Lear and specifically to choose to convey some of the dramatic Dark Matter parts of the original Boys Esute, Vol. 5 plot the Turnip Greens & Tortillas putting in the stocks of Lear s messenger the apocalyptic storm and those that are just odd the gouging of Gloucester s eyes the Dover cliffs bluffed suicide scene literally and not in a imaginative and figurative sense However again I now appreciate that this choice is in many ways fundamental to the author s very conception of this novel her realisation that concepts and events which render King Lear strange to a modern Western reader the extreme The IT Career Builders Toolkit patriarchy the use of Lear s fortune as what is effectively dowry the fundamental conflict of ambition family and state unchecked state violence and civil conflict extremes of classcaste the abuse of domestic servants can be understood in a modern context when transplanted across the world Just as King Lear examines the violence that flowed from Lear s The Hebrew Bible And Its Modern Interpreters partriarchy and his forced and ill thought through division of his Kingdom between his two daughters so We That Are Young could be said to examine the effects of British colonialism and the long lasting impacts of the violence and division that flowed from PartitionOverall a vibrant and wonderful novelMy thanks to Galley Beggar Press for the ARC

Free download We That Are Young

Ums of Napurthala to Srinagar Kashmir Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern day King Lear that bursts with energy and fierce beautifully measured rage Set against the backdrop of the anti corruption protests in – it provides startling insights into modern India the clash of youth and age the hectic pace of life in one of the world’s fastest growing economies – and the ever present spectre of death More than that this is a novel about the human heart And its breaking point We that are young by Preti Taneja is a fabulous reworking of King Lear Having enjoyed a number of adaptations of this Shakespearean tragedy on stage I was familiar with the direction the arc of the story was likely to take This did not in any way detract from my enjoyment The book is big in size scope and depth The action is set in modern India and offers a masterclass in the country its people and the stubborness and hurt inherent in wider family feudsThe tale opens with the return of a son Jivan banished to America with his mother when he was thirteen years old Prior to this he had been one of five young playmates although as the child of his father s mistress had never been permitted full integration into the privileged lives of his friends His half brother Jeet and he grew up alongside the three daughters of a hugely wealthy businessman Devraj who is also Jeet s godfather The girls clever Gargi beautiful Radha and baby Sita have in the intervening years grown into outwardly dutiful and obedient womenJivan returns on the cusp of change The oppulent farm where the family now live is being prepared for Sita s engagement celebrations As Jivan is shown around a lunch is taking place that will be the catalyst to Devraj s ruinationEconomic growth has enabled India to consider itself a world player and with this has come a clash of cultures Despite the uality and beauty of local products there is a hankering after western labels Colour and vibrancy are being toned down flesh exposed in imported attire Women desire freedom and opportunity than tradition permitsDevraj demands that his daughters regularly demonstrate love and respect for him in word and deed When Sita unexpectedly refuses to conform he attempts to punish her by passing on the share of the business he had selected for her his favourite to her sisters Gargi and Radha watch as he reacts to their little sister s rebellion envious of her courage but afraid of its effects They fear their father may be going mad and determine to save the business for themselvesThe story is told from the points of view of each of the five former playmates with occasional chapters in Devraj s voice Their s is a life of excess abuse and thwarted desire When Jeet chooses to leave the farm the reader is offered a snapshot of the lives of India s untouchables a contrast that is shocking and telling Those who grow up in comfort will struggle to understand the psychological effects of poverty the cost of survivalDevraj strives for a new India yet fights any attempt by his daughters to embrace change to relinuish stifling traditions This generational divide is all too familiar Elders are eager to force the rules of their upbringing on their children unappreciative of the differing challenges they must face in an evolving worldThe writing is stunning evoking the sights sounds and smells of the region the extremes of wealth and poverty the corruption and striving for a better way of life at all levels Turns of phrase deserve to be savoured imagery basked in The story is labyrinthian and should not be rushedAlthough a literary feast this is also a highly readable story It remains engaging tense and compelling throughout despite knowing how it must end I wanted to applaud that last line the author deserves all the commendations Recommended without reservation


About the Author: Preti Taneja

Praise for WE THAT ARE YOUNGWINNER OF THE DESMOND ELLIOT PRIZE Sarah Perry chair of judges said“Samira Chris and myself were absolutely unanimous in our love and admiration for this novel whose scope We That PDF \ ambition skill and wisdom was uite simply awe inspiring all three of us sat together shaking our heads saying ‘If this is her first novel what extraordinary work will come next’”'.